Karin Okumura from Hosei University

TITLE | PULMOLS
This project reinterprets Japan's traditional hariko papier-mâché culture through digital fabrication. The Daruma figure, a principal example of the craft, shifted from handmade methods to industrial production with the advent of suction-based pulp moulding. While this addressed the decline in skilled artisans and the inefficiencies of manual work, it created a reliance on large-scale equipment. By miniaturising this process using 3D printers and wet-dry vacuum systems, the project demonstrates a flexible approach that reduces initial investment and enables small-batch, multi-variety production. Beyond sustaining the hariko tradition, it also suggests replacing the synthetic resins widely used in the character industry with paper-based pulp moulding, offering a more sustainable vision for contemporary doll culture.

Recommender: Shin Azumi

Class of 2025 is an exhibition featuring works by students nominated by educators from universities, colleges, and vocational schools.
Following the exhibition, a second round selection will be made through a vote by the recommending educators. The selected students will have the opportunity to participate in a follow-up exhibition.